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Day 4 in the snow: waiting is the hardest part

Day 4 in the snow: waiting is the hardest part

Day 4 in the snow: waiting is the hardest part

3
 mins read
11th Hour Racing
Miles Holden

Apologies if you now have Tom Petty’s song stuck in your head but it seemed to be the theme song for the month as we waited for our powder day – the day we needed to make sure the ski section of our film had that “chef’s kiss.” And nearly a month after we wrapped the shoot at Mt. Larkins, the stars aligned and a large storm from the south brought 20-25cm (almost a foot!) of fresh snow to New Zealand. Finally, the local team had the green light for our shoot’s powder day. 

Jess Hotter
“It was the best snow I skied all season.”

On this shoot, we worked with a smaller team. Freeride World Tour champion and Protect our Winters ambassador Jess Hotter was still the main athlete. She was joined by the director of photography, Jase Hancox, and his second cameraman, Danny Warley. Rounding out the team was legendary photographer, Miles Holden. Miles originally planned to join us on the first shoot at Mt. Larkins but had to pull out at the last minute because of the flu.

The team met shortly after sunrise at the heliport. For both shoots, we did our best to minimize helicopter use. Fortunately, after this storm, the fresh powder was relatively close to the heliport, so the team did not have to travel too far to get there.

Jess Hotter
“We spent most of the day close to Mt. Aspiring. It was pretty cool to ski under the watchful eye of the mountain."

The team spent most of the day skiing and shooting on “Dragonfly Peak,” a 2165-meter (7100 feet) peak. The team then worked together to find the best runs with the most dynamic light; they spent most of the day looking for and playing with interesting shadows in the snow. The snow was a little wind-pressed, but this meant there were interesting textures to shoot as Jess sent it down the mountain.

With the sun high in the sky, the team aimed to be as efficient as possible. Jess’ first two runs were on No Man’s Land – a mellow run with a 500-foot cliff and knife-edge peak in the background. They then headed to a run called Galactic where Jase and Miles captured Jess skiing in amazing light. On Jess' last run at Galactic she skied beside an incredible frozen waterfall. The day ended with a run called Feebles where they were able to capture Jess skiing down some steep terraces in the fresh powder.

Miles Holden
“When we bumped out, we had cold snow on our boots, and we headed straight into warm weather. In the valley, the daffodils were in full bloom and there were loads of little lambs running around in the pastures.”

The team spent most of the day skiing and shooting on “Dragonfly Peak,” a 2165-meter (7100 feet) peak. The team then worked together to find the best runs with the most dynamic light; they spent most of the day looking for and playing with interesting shadows in the snow. The snow was a little wind-pressed, but this meant there were interesting textures to shoot as Jess sent it down the mountain.

With the sun high in the sky, the team aimed to be as efficient as possible. Jess’ first two runs were on No Man’s Land – a mellow run with a 500-foot cliff and knife-edge peak in the background. They then headed to a run called Galactic where Jase and Miles captured Jess skiing in amazing light. On Jess' last run at Galactic she skied beside an incredible frozen waterfall. The day ended with a run called Feebles where they were able to capture Jess skiing down some steep terraces in the fresh powder.

The team spent most of the day skiing and shooting on “Dragonfly Peak,” a 2165-meter (7100 feet) peak. The team then worked together to find the best runs with the most dynamic light; they spent most of the day looking for and playing with interesting shadows in the snow. The snow was a little wind-pressed, but this meant there were interesting textures to shoot as Jess sent it down the mountain.

With the sun high in the sky, the team aimed to be as efficient as possible. Jess’ first two runs were on No Man’s Land – a mellow run with a 500-foot cliff and knife-edge peak in the background. They then headed to a run called Galactic where Jase and Miles captured Jess skiing in amazing light. On Jess' last run at Galactic she skied beside an incredible frozen waterfall. The day ended with a run called Feebles where they were able to capture Jess skiing down some steep terraces in the fresh powder.

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“It was the best snow I skied all season. It was such a good time with some amazing people – it was an absolutely stunning day,” Jess said. 

The stoke level was high when the team wrapped up the shoot in the afternoon and headed back to Wanaka.

And with that, the snow season ended and spring has officially sprung in New Zealand!

11th Hour Racing
Miles Holden

Apologies if you now have Tom Petty’s song stuck in your head but it seemed to be the theme song for the month as we waited for our powder day – the day we needed to make sure the ski section of our film had that “chef’s kiss.” And nearly a month after we wrapped the shoot at Mt. Larkins, the stars aligned and a large storm from the south brought 20-25cm (almost a foot!) of fresh snow to New Zealand. Finally, the local team had the green light for our shoot’s powder day. 

No items found.
Jess Hotter
“It was the best snow I skied all season.”

On this shoot, we worked with a smaller team. Freeride World Tour champion and Protect our Winters ambassador Jess Hotter was still the main athlete. She was joined by the director of photography, Jase Hancox, and his second cameraman, Danny Warley. Rounding out the team was legendary photographer, Miles Holden. Miles originally planned to join us on the first shoot at Mt. Larkins but had to pull out at the last minute because of the flu.

The team met shortly after sunrise at the heliport. For both shoots, we did our best to minimize helicopter use. Fortunately, after this storm, the fresh powder was relatively close to the heliport, so the team did not have to travel too far to get there.

The team spent most of the day skiing and shooting on “Dragonfly Peak,” a 2165-meter (7100 feet) peak. The team then worked together to find the best runs with the most dynamic light; they spent most of the day looking for and playing with interesting shadows in the snow. The snow was a little wind-pressed, but this meant there were interesting textures to shoot as Jess sent it down the mountain.

With the sun high in the sky, the team aimed to be as efficient as possible. Jess’ first two runs were on No Man’s Land – a mellow run with a 500-foot cliff and knife-edge peak in the background. They then headed to a run called Galactic where Jase and Miles captured Jess skiing in amazing light. On Jess' last run at Galactic she skied beside an incredible frozen waterfall. The day ended with a run called Feebles where they were able to capture Jess skiing down some steep terraces in the fresh powder.

Jess Hotter
“We spent most of the day close to Mt. Aspiring. It was pretty cool to ski under the watchful eye of the mountain."
No items found.

“It was the best snow I skied all season. It was such a good time with some amazing people – it was an absolutely stunning day,” Jess said. 

The stoke level was high when the team wrapped up the shoot in the afternoon and headed back to Wanaka.

And with that, the snow season ended and spring has officially sprung in New Zealand!

Miles Holden
“When we bumped out, we had cold snow on our boots, and we headed straight into warm weather. In the valley, the daffodils were in full bloom and there were loads of little lambs running around in the pastures.”
No items found.
“The snow was a little wind-pressed, but this meant there were interesting textures to shoot as Jess sent it down the mountain.”

Apologies if you now have Tom Petty’s song stuck in your head but it seemed to be the theme song for the month as we waited for our powder day – the day we needed to make sure the ski section of our film had that “chef’s kiss.” And nearly a month after we wrapped the shoot at Mt. Larkins, the stars aligned and a large storm from the south brought 20-25cm (almost a foot!) of fresh snow to New Zealand. Finally, the local team had the green light for our shoot’s powder day. 

No items found.
ABOUT THE PROJECT

To highlight the connection between water and sports, we’ve brought together an internationally renowned freediver, a world champion freeskier, and professional offshore sailing team. Like water, these athletes move in unison with their mind, body, and the present moment. Together, these athletes bring to life their fullest expressions– like water, they flow.

ABOUT THE TEAM

We chose athletes who are not only the best at what they do but also align with 11th Hour Racing’s mission to protect and restore the ocean. We hired local storytelling teams who are also some of the best in the world. Each part of the production was carefully considered to come together as one holistic story.

Behind the Scenes